Jacob Zinn :: journalist + photographer

HEAVY Rotation: Quiet Riot’s “Cum On Feel the Noize”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on October 9, 2011

Quiet Riot may widely be considered a one two-hit wonder, but the truth is, they were one of the most successful metal bands of the ’80s.

In preparation of their North American debut record, Quiet Riot was told by a record producer to record a demo version of a cover song. He insisted on ’70s glam rock outfit Slade’s hit, “Cum On Feel the Noize” from a decade earlier.

“We hated it,” said drummer Frankie Banali in VH1’s 2006 rockumentary, HEAVY: The Story of Metal.

“We didn’t want to do it. [Lead singer] Kevin DuBrow was dead set on not doing it.”

They purposely played the song badly in hopes that a decidedly poor attempt would get the song cut from the demo. But when Banali started with the pounding drum track, DuBrow glared at him through the glass of the studio because it sounded good–too good to be dropped.

Evidently, the producer loved the song and it was kept on their 1983 album, Metal Health. After the first single, “Bang Your Head (Metal Health)”, only reached #31 on the Billboard Hot 100 charts, “Cum On Feel the Noize” was released as a single.

We hated it. We didn’t want to do it. Kevin DuBrow was dead set on not doing it.

Frankie Banali
VH1’s HEAVY (2006)

It reached #5.

Then, on the last week of November 1983, Metal Health reached the #1 album position ahead of Lionel Richie’s Can’t Slow Down, The Police’s Synchronicity and Michael Jackson’s Thriller. It became the first heavy metal album to peak at the top of the charts, thanks to the success of an unrehearsed glam rock cover.

“What you have on record is the first take,” said Banali. “That was the first time that we had ever played that song.”

Just imagine what it would sound like if they tried to play it well.


HEAVY Rotation: Anvil’s “Metal on Metal”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on September 16, 2011

Of all the Canadian heavy metal bands, Anvil is the most respected, but was once the least known.

Singer and guitarist Steve “Lips” Kudlow and drummer Robb Reiner formed the beginnings of Anvil as teenagers in Reiner’s basement. They gained notoriety with their signature song, “Metal on Metal,” off of their 1982 sophomore album of the same name.

They toured the world with Bon Jovi, Scorpions and Whitesnake and outperformed the likes of Metallica and Anthrax. Then they faded into obscurity…

Lips got a 9-to-5 grind driving delivery trucks for Children’s Choice Catering and Reiner took up construction. But in their free time, they kept playing in Anvil, even if that meant performing for empty dive bars.

Anvil Discography

Hard ‘n’ Heavy (1981)
Metal on Metal (1982)
Forged in Fire (1983)
Backwaxed (1985)
Strength of Steel (1987)
Pound for Pound (1988)
Worth the Weight (1992)
Plugged in Permanent (1996)
Absolutely No Alternative (1997)
Speed of Sound (1999)
Anthology of Anvil (2000)
Plenty of Power (2001)
Still Going Strong (2002)
Back to Basics (2004)
This Is Thirteen (2007)
Juggernaut of Justice (2011)


Now we’re getting praise for never selling out and sticking to our guns.

Steve “Lips” Kudlow
Exclaim!, 2010

Their comeback is documented in 2009’s critically acclaimed Anvil! The Story of Anvil by award-winning director and long-time fan, Sacha Gervasi. The film candidly shows the band’s low and high points, following them from crowds you can count on one hand to sold-out, 20,000-person stadiums.

“Now we’re getting praise for never selling out and sticking to our guns,” said Lips of the film’s reception. “It’s a celebration. We got our notoriety on our own terms. We’ve done what we want, not what someone told us to do.”

Lips is no longer the only one who craves “Metal on Metal.” Since the film’s release, Anvil CD sales have increased in their entire back catalogue of alliterary album titles. The band has played such major rock and metal festivals as England’s Download (120,000 in attendance) and Seattle’s Bumbershoot (150,000 in attendance).

They’ve toured smaller venues in the U.S. and Canada, but are now able to make a living off on metal.


HEAVY Rotation: Motörhead’s “Ace of Spades”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on August 30, 2011

Every band wants that smash hit that propels them to the top of the charts, but sometimes they get that hit and realize they’ll have to play it over and over again for the rest of their lives.

In 1980, Motörhead released “Ace of Spades,” the title track of their fourth album, as a single, not foreseeing that they would have to perform it every night for the next 30 years.

While the album gained critical acclaim and was influential in the creation of thrash metal, the single became Motörhead’s signature song: going to a Motörhead show and not hearing “Ace of Spades” is like going to McDonald’s and finding out they’ve discontinued the Big Mac.

Lemmy has said in interviews that he’s gotten sick of the song, but he promises not to remove it from the setlist.

[We] can’t ditch ‘Ace of Spades,’ it wouldn’t be right. If I go to see Little Richard, I expect to hear ‘Good Golly Miss Molly,’ or I’d be pissed off.

Testing the popularity of the song, Motörhead released a live version in 1988. However, the band wanted “Ace of Spades” to be the B-Side, but the record company made it the A-Side.

The band then prohibited the single from being distributed through record shops, making it available only at concerts and through the Motörheadbangers fan club, so sales of the live single were considerably less than the original.

Live versions of “Ace of Spades” have appeared on the following albums:

  • No Sleep ’til Hammersmith (1981)
  • Nö Sleep at All (1988)
  • Everything Louder than Everyone Else (1999)
  • Live at Brixton Academy (2003)
  • Better Motörhead than Dead: Live at Hammersmith (2007)

The song has been included in the Guitar Hero and Rock Band video game franchises, the 2007 comedy Superbad, and the band even performed a slowed down, acoustic version for a Kronenbourg 1664 beer commercial.

The song has lasted three decades, and the lyrics still ring true: the only card they need is the ace of spades.


HEAVY Rotation: Warrant’s “Cherry Pie”

Posted in Heavy Metal, HEAVY Rotation, Music, Obituaries by Jacob Zinn on August 19, 2011

To most, Warrant is a one-hit wonder like so many ‘80s Sunset Strip glam bands, but despite other hit singles, their innuendo-riddled “Cherry Pie” is the song the band will most be remembered for.

As the story goes, lead singer Jani Lane received a phone call from Columbia Records president Don Ienner leading up to the release of their then-untitled sophomore album. Ienner wanted a rock anthem a la Aerosmith’s “Love in an Elevator” to be on the record–something that would get copious amounts of radio airplay.

Within fifteen minutes, Lane had written the lyrics to Warrant’s most well-known single–on a pizza box. The song peaked at number 10 on the Billboard Charts and the album of the same name went double-platinum.

But with mainstream success came accusations of selling out. That three-and-a-half minute song overhauled the marketing of their second album and overshadowed other singles like “Heaven” and “Uncle Tom’s Cabin.”

I could shoot myself in the f**king head for writing that song.

Jani Lane
VH1’s HEAVY (2006)

Members of the band didn’t even think it was their best music. In an interview with the VH1 rock doc, HEAVY: The Story of Metal, Lane expressed deep regret for penning the track and giving it to Columbia.

“All of a sudden, the album’s called Cherry Pie, the record’s called Cherry Pie, I’m doing cherry pie-eating contests, the singles ‘Cherry Pie,'” he said. “I could shoot myself in the f**king head for writing that song.”

He later clarified that the producers had caught him on a bad day, but it seems Lane may still have had some resentment for one smash hit almost negating everything else that they ever recorded.

With the recent passing of Lane, hopefully more people will be introduced to Warrant’s music–not just a slice of “Cherry Pie.”

Rest in Peace
Jani Lane
February 1, 1964 ~ August 11, 2011


HEAVY Rotation: Black Sabbath’s “Iron Man”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on August 6, 2011

“Iron Man” is among Black Sabbath’s greatest hits and it has one of the most recognizable guitar riffs ever.

In fact, that’s how the writing of the song started. Tony Iommi wrote the riff in preparation for recording their second album, 1970’s Paranoid. Ozzy Osbourne heard the riff and his initial reaction was that “it sounded like a big, iron bloke walking about.” They named the song “Iron Bloke,” but later renamed it “Iron Man.”

Bassist Geezer Butler took the title and wrote the lyrics about a man who time travels into the future and witnesses the end of the world. He tries to go back in time to warn people, but a magnetic field turns him into steel.

Unable to speak and ignored by the masses, he grows angry and takes out his rage on mankind, which happens to be the destruction he saw in his vision of the apocalypse. (And in case you were wondering, steel does contain iron.)

Now the time is here
for Iron Man to spread fear
Vengeance from the grave
Kills the people he once saved

The band’s sixth single, “Iron Man” only peaked at #52 on the Billboard charts, though in 2008, it reached #5 on Billboard’s Hot Ringtones chart. It was ranked #1 on VH1’s 40 Greatest Metal Songs, #317 on Rolling Stone‘s 500 Greatest Songs of All Time, and in 2000, a live version of the song won a Grammy for Best Metal Performance.

It’s been used in such films as Detroit Rock City, Dogtown & Z-Boys, and fittingly, Iron Man. It has also been covered by Metallica, NOFX and Marilyn Manson, and it’s been sampled by Sir Mix-A-Lot. (Yes, that Sir Mix-A-Lot.)


HEAVY Rotation: Dio’s “Holy Diver”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on July 20, 2011

“Holy Diver” is the title track of Dio’s 1983 debut album and a landmark heavy metal anthem.

Following his stint as Ozzy Osbourne’s replacement in Black Sabbath, Ronnie James Dio formed Dio in 1982. Having already fronted Elf and Rainbow in the ’60s and ’70s, Dio once again was the frontman, bringing his powerful voice to such classics as “Stand Up and Shout” and “Rainbow in the Dark” off of Holy Diver.

To this day, the song and album artwork are considered controversial. After 9/11, Clear Channel Communications sent a document to more than 1,200 radio stations listing “lyrically questionable” songs, including “Holy Diver.” At the time, renowned heavy metal DJ Eddie Trunk (also of VH1’s That Metal Show) contacted Dio, who was shocked over the uproar some 28 years after the song’s release.

In the 2005 documentary Metal: A Headbanger’s Journey, Dio spoke of song and the album cover, which appears to show a demon (the band’s mascot, Murray) standing above a cleric wrapped in chains and drowning in the ocean against jagged rocks.

The song ‘Holy Diver’ is not a violent song. It’s actually about a Christ figure in a positive way. I guess maybe a lot of people don’t know that it’s that.

The question was always, ‘Why do you have a monster killing a priest on your album cover?’ My answer always was, because I planned it this way, ‘How do you know that’s not a priest killing a monster?’

Dio is also credited with popularizing the “metal horns” hand gesture in heavy metal culture, which appears to use one’s pinky and index finger as horns. In reality, Dio learned the gesture from his Italian grandmother, who used it to ward off the evil eye when strangers gave her funny looks.

Despite the controversy, Holy Diver is considered one of the greatest heavy metal albums of all time. It was certified platinum in the United States and the title track has been covered by Tenacious D, Killswitch Engage, Children of Bodom and Pat Boone.

Yes, Christian gospel musician Pat Boone.

Rest in Peace
Ronnie James Dio
July 10, 1942 ~ May 16, 2010

HEAVY Rotation: Iron Maiden’s “The Number of the Beast”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on July 11, 2011

In April 1982, Iron Maiden released “The Number of the Beast” as a single off of the album of the same name. Penned by bassist Steve Harris after a having nightmare from watching Damien: Omen II, the song became a heavy metal classic to fans and the devil’s music to social conservatives.

The Number of the Beast was controversial, to say the least. In traditional Iron Maiden form, the cover featured the band’s frightening mascot, Eddie, puppeteering a red devil (pitchfork and all) from the fingernails of his flesh-and-bones skeleton. But lyrically, the title track was most scrutinized.

The song begins with two Bible verses:

“Woe to you O earth and sea for the Devil sends the beast with wrath because he knows the time is short … Let him who hath understanding reckon the number of the beast for it is a human number. Its number is six hundred and sixty six.”
– Revelation 12:12, 13:18

Then the intro begins a near-five-minute metal anthem so heavy, it requires two lead guitarists. Add the following lyrics from all three choruses:

In the mist, dark figures move and twist
Was all this for real or just some kind of hell?
6! 6-6! The number of the beast
Hell and fire were spawned to be released

In the night, the fires burning bright
The ritual has begun, Satan’s work is done
6! 6-6! The number of the beast
Sacrifice is going on tonight

6! 6-6! The number of the beast
6! 6-6! The one for you and me

The chanting of 6-6-6 and the dark imagery caused American right-wingers to label Iron Maiden as a “Satanic band.” However, the album became a critical success that yielded two other hit singles (“Run to the Hills” and “Hallowed Be Thy Name”) that supported their 1982 Beast on the Road world tour.

So, despite the uproar at the beginning, it led to global recognition, a 187-date tour and multi-platinum certification between the United States, the United Kingdom and Canada. Satan’s work is done…