Jacob Zinn :: journalist + photographer

Tour Alert: Mastodon, Opeth & Ghost North American Dates

Posted in Heavy Metal, Music, Tour Alert by Jacob Zinn on February 4, 2012

APR
04
Portland, ME
State Theater
APR
05
Boston, MA
Orpheum Theater
APR
06
Montreal, QC
Metropolis
APR
07
Toronto, ON
Sony Centre
APR
09
Philadelphia, PA
Electric Factory
APR
10
Wallingford, CT
The Dome
APR
11
New York, NY
Roseland Ballroom
APR
13
Chicago, IL
Riviera Theatre
APR
14
Grand Rapids, MI
The Intersection
APR
15
Pittsburgh, PA
Stage AE
APR
16
Knoxville, TN
TN Theater
APR
18
Oklahoma City, OK
Diamond Ballroom
APR
19
Dallas, TX
Palladium Ballroom
APR
20
San Antonio, TX
Back Stage Live
APR
21
Corpus Christi, TX
Concrete Street
APR
23
Denver, CO
Fillmore Auditorium
APR
25
Las Vegas, NV
House of Blues
APR
26
Los Angeles, CA
Gibson Amphitheatre
APR
27
Oakland, CA
Fox Theatre
APR
28
Reno, NV
Grand Sierra Resort
APR
30
Seattle, WA
The Paramount
MAY
01
Vancouver, BC
Orpheum Theatre
MAY
03
Edmonton, AB
Edmonton Events Center
MAY
04
Calgary, AB
MacEwan Hall
MAY
05
Saskatoon, SK
The Odeon
MAY
06
Winnipeg, MB
Burton Cummings Theatre
MAY
09
Washington, DC
The Fillmore
MAY
10
Charlotte, NC
The Fillmore
MAY
11
Myrtle Beach, SC
House of Blues
MAY
12
Atlanta, GA
Masquerade Music Park

Last week, Atlanta sludge metal outfit Mastodon announced their North American co-headlining tour with progressive rock five-piece Opeth.

The two groups – supported by Swedish melodic heavy metal band Ghost – will trade off performing last on the 30 double-billed shows throughout the Heritage Hunter Tour, which starts April 4 in Portland, ME and wraps up in Mastodon’s hometown on May 12. Out of the seven Canadian stops, they are only set to close the Calgary show.

Their critically acclaimed fifth studio album, The Hunter, debuted at #10 on the Billboard 200 charts last September and was named Album of the Year by Metal Hammer and Classic Rock Magazine. As of December, it had sold 75,133 copies in the U.S.

Mastodon’s setlist will likely include new hits such as “Black Tongue”, “Dry Bone Valley” and the Grammy-nominated single “Curl of the Burl”.

Tickets for all shows are on sale. Mastodon is scheduled to close the following 14 dates:

  • April 4 – Portland, ME
  • April 9 – Philadelphia, PA
  • April 10 – Wallingford, CT
  • April 11 – New York, NY
  • April 13 – Chicago, IL
  • April 14 – Grand Rapids, MI
  • April 15 – Pittsburgh, PA
  • April 18 – Oklahoma City, OK
  • April 25 – Las Vegas, NV
  • April 28 – Reno, NV
  • May 4 – Calgary, AB
  • May 10 – Charlotte, NC
  • May 11 – Myrtle Beach, SC
  • May 12 – Atlanta, GA

HEAVY Rotation: Quiet Riot’s “Cum On Feel the Noize”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on October 9, 2011

Quiet Riot may widely be considered a one two-hit wonder, but the truth is, they were one of the most successful metal bands of the ’80s.

In preparation of their North American debut record, Quiet Riot was told by a record producer to record a demo version of a cover song. He insisted on ’70s glam rock outfit Slade’s hit, “Cum On Feel the Noize” from a decade earlier.

“We hated it,” said drummer Frankie Banali in VH1’s 2006 rockumentary, HEAVY: The Story of Metal.

“We didn’t want to do it. [Lead singer] Kevin DuBrow was dead set on not doing it.”

They purposely played the song badly in hopes that a decidedly poor attempt would get the song cut from the demo. But when Banali started with the pounding drum track, DuBrow glared at him through the glass of the studio because it sounded good–too good to be dropped.

Evidently, the producer loved the song and it was kept on their 1983 album, Metal Health. After the first single, “Bang Your Head (Metal Health)”, only reached #31 on the Billboard Hot 100 charts, “Cum On Feel the Noize” was released as a single.

We hated it. We didn’t want to do it. Kevin DuBrow was dead set on not doing it.

Frankie Banali
VH1’s HEAVY (2006)

It reached #5.

Then, on the last week of November 1983, Metal Health reached the #1 album position ahead of Lionel Richie’s Can’t Slow Down, The Police’s Synchronicity and Michael Jackson’s Thriller. It became the first heavy metal album to peak at the top of the charts, thanks to the success of an unrehearsed glam rock cover.

“What you have on record is the first take,” said Banali. “That was the first time that we had ever played that song.”

Just imagine what it would sound like if they tried to play it well.


HEAVY Rotation: Warrant’s “Cherry Pie”

Posted in Heavy Metal, HEAVY Rotation, Music, Obituaries by Jacob Zinn on August 19, 2011

To most, Warrant is a one-hit wonder like so many ‘80s Sunset Strip glam bands, but despite other hit singles, their innuendo-riddled “Cherry Pie” is the song the band will most be remembered for.

As the story goes, lead singer Jani Lane received a phone call from Columbia Records president Don Ienner leading up to the release of their then-untitled sophomore album. Ienner wanted a rock anthem a la Aerosmith’s “Love in an Elevator” to be on the record–something that would get copious amounts of radio airplay.

Within fifteen minutes, Lane had written the lyrics to Warrant’s most well-known single–on a pizza box. The song peaked at number 10 on the Billboard Charts and the album of the same name went double-platinum.

But with mainstream success came accusations of selling out. That three-and-a-half minute song overhauled the marketing of their second album and overshadowed other singles like “Heaven” and “Uncle Tom’s Cabin.”

I could shoot myself in the f**king head for writing that song.

Jani Lane
VH1’s HEAVY (2006)

Members of the band didn’t even think it was their best music. In an interview with the VH1 rock doc, HEAVY: The Story of Metal, Lane expressed deep regret for penning the track and giving it to Columbia.

“All of a sudden, the album’s called Cherry Pie, the record’s called Cherry Pie, I’m doing cherry pie-eating contests, the singles ‘Cherry Pie,'” he said. “I could shoot myself in the f**king head for writing that song.”

He later clarified that the producers had caught him on a bad day, but it seems Lane may still have had some resentment for one smash hit almost negating everything else that they ever recorded.

With the recent passing of Lane, hopefully more people will be introduced to Warrant’s music–not just a slice of “Cherry Pie.”

Rest in Peace
Jani Lane
February 1, 1964 ~ August 11, 2011


HEAVY Rotation: Black Sabbath’s “Iron Man”

Posted in Heavy Metal, HEAVY Rotation, Music by Jacob Zinn on August 6, 2011

“Iron Man” is among Black Sabbath’s greatest hits and it has one of the most recognizable guitar riffs ever.

In fact, that’s how the writing of the song started. Tony Iommi wrote the riff in preparation for recording their second album, 1970’s Paranoid. Ozzy Osbourne heard the riff and his initial reaction was that “it sounded like a big, iron bloke walking about.” They named the song “Iron Bloke,” but later renamed it “Iron Man.”

Bassist Geezer Butler took the title and wrote the lyrics about a man who time travels into the future and witnesses the end of the world. He tries to go back in time to warn people, but a magnetic field turns him into steel.

Unable to speak and ignored by the masses, he grows angry and takes out his rage on mankind, which happens to be the destruction he saw in his vision of the apocalypse. (And in case you were wondering, steel does contain iron.)

Now the time is here
for Iron Man to spread fear
Vengeance from the grave
Kills the people he once saved

The band’s sixth single, “Iron Man” only peaked at #52 on the Billboard charts, though in 2008, it reached #5 on Billboard’s Hot Ringtones chart. It was ranked #1 on VH1’s 40 Greatest Metal Songs, #317 on Rolling Stone‘s 500 Greatest Songs of All Time, and in 2000, a live version of the song won a Grammy for Best Metal Performance.

It’s been used in such films as Detroit Rock City, Dogtown & Z-Boys, and fittingly, Iron Man. It has also been covered by Metallica, NOFX and Marilyn Manson, and it’s been sampled by Sir Mix-A-Lot. (Yes, that Sir Mix-A-Lot.)